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征集公告|“魚躍龍門·魅力歙縣”2025歙縣(徽州)魚燈裝置藝術(shù)展

發(fā)布時(shí)間:2025-09-02      截稿時(shí)間:2025-09-20      閱讀量:1318次     

  歙縣是國(guó)家歷史文化名城、國(guó)家級(jí)徽州文化生態(tài)保護(hù)區(qū),秦朝置縣,宋設(shè)徽州府,府縣同城1400年,是古徽州的政治、經(jīng)濟(jì)、文化中心。歙縣是徽州文化的發(fā)源地,也是徽商、徽菜的主要發(fā)源地。是文房四寶之徽墨、歙硯的主要產(chǎn)地,先后被授予“中國(guó)徽墨之都”“中國(guó)歙硯之鄉(xiāng)”“徽劇之鄉(xiāng)”“徽文化之鄉(xiāng)”“中國(guó)牌坊之鄉(xiāng)”等榮譽(yù)稱號(hào)。境內(nèi)的徽州古城與云南麗江、山西平遙、四川閬中并稱為中國(guó)保存最完好的四大古城,素有“東南鄒魯、徽商故里”“文物之海”“程朱故里”“禮儀之邦”等美稱。歙縣有徽州古城、新安江山水畫廊、棠樾牌坊群、徽州國(guó)家森林公園、清涼峰國(guó)家級(jí)自然保護(hù)區(qū)、雄村、許村古建筑群等旅游景區(qū)點(diǎn)。
  歙縣魚燈,作為徽州文化的重要象征,承載著數(shù)百年的歷史與鄉(xiāng)愁,其獨(dú)特的藝術(shù)魅力和深厚的文化底蘊(yùn),使其成為非遺文化中的璀璨明珠。2024年,歙縣魚燈通過線上線下聯(lián)動(dòng),成功實(shí)現(xiàn)了從傳統(tǒng)民俗到現(xiàn)象級(jí)文化IP的蛻變。抖音等新媒體平臺(tái)的助力,讓魚燈巡游、非遺技藝展示等內(nèi)容觸達(dá)億萬(wàn)觀眾,成為春節(jié)期間的“頂流”盛景。案例成功將傳統(tǒng)文化與現(xiàn)代傳播手段結(jié)合,展現(xiàn)了非遺文化的可持續(xù)生命力,同時(shí)也證明了傳統(tǒng)文化在創(chuàng)新傳播中能夠煥發(fā)新生。
  一、活動(dòng)名稱:2025歙縣(徽州)魚燈裝置藝術(shù)展
  二、活動(dòng)主題:魚躍龍門·魅力歙縣
  三、主題詮釋:一盞魚燈,游活一座城;一項(xiàng)非遺,點(diǎn)亮徽州夢(mèng)。
  四、創(chuàng)意題材:汪滿田魚燈、瞻淇魚燈、漁梁魚燈、魚燈表情包及魚燈文創(chuàng)衍生品等。
  五、活動(dòng)地點(diǎn):安徽·歙縣—徽州古城
  一、非遺創(chuàng)意:將歙縣魚燈及歙縣非遺、歷史人文等地方文化元素轉(zhuǎn)換成具有互動(dòng)體驗(yàn)功能的裝置藝術(shù),以此提高游客對(duì)歙縣文化傳統(tǒng)的深刻認(rèn)識(shí)和理解。以歙縣魚燈為創(chuàng)作素材,采用傳統(tǒng)材料和當(dāng)代藝術(shù)相結(jié)合的創(chuàng)意方式,營(yíng)造全新語(yǔ)境的傳統(tǒng)非遺文化體驗(yàn),使游客可以與古城環(huán)境、非遺文化及裝置作品融為一體。
  二、藝術(shù)體驗(yàn):裝置藝術(shù)的互動(dòng)性與文旅性是任何藝術(shù)形式無(wú)法替代的,以它的功能性體驗(yàn)和多元化創(chuàng)意也是吸引游客的重要因素。每件裝置作品都具備全天候呈現(xiàn)的視覺效果,運(yùn)用透光材質(zhì)和外部布置燈光的方式打造光影藝術(shù)秀,部分作品也可結(jié)合本地特色非遺打造聲光沉浸劇場(chǎng)。
  三、文化傳播:通過裝置藝術(shù)的視覺沖擊力和互動(dòng)性,歙縣傳統(tǒng)文化和非遺不僅能被“記憶”,還能被“看見”,更能被“體驗(yàn)”,實(shí)現(xiàn)從靜態(tài)保護(hù)到動(dòng)態(tài)傳播的跨越。借助活動(dòng)影響形成獨(dú)具魅力的歙縣文化與當(dāng)代藝術(shù)相結(jié)合的創(chuàng)意方式,向社會(huì)傳達(dá)歙縣非遺保護(hù)和當(dāng)代創(chuàng)新融合共生的發(fā)展理念。
  一、招募對(duì)象
  面向全球征集裝置藝術(shù)創(chuàng)作者,包括但不限于雕塑家、裝置藝術(shù)家、燈光創(chuàng)意師、多媒體藝術(shù)家等。
  二、征集方式
  (一)全球征集:采用全球征集的方式募集創(chuàng)意方案。借助方案征集傳播歙縣歷史文化、旅游資源和非遺民俗、風(fēng)土人情等。
  (二)名家特邀:為保障募集作品的品質(zhì)和創(chuàng)意,邀請(qǐng)著名藝術(shù)家針對(duì)創(chuàng)意題材和要求定向創(chuàng)作裝置藝術(shù)作品。
  三、方案評(píng)選
  (一)作者報(bào)名:自愿參與本次活動(dòng)的藝術(shù)家請(qǐng)將個(gè)人簡(jiǎn)歷、代表作品及創(chuàng)意概念圖或效果圖發(fā)送至指定郵箱(見聯(lián)系方式)。
  (二)作品評(píng)選:由藝委會(huì)成員和活動(dòng)主承辦方組成評(píng)審組,對(duì)征集所得的全部作品方案進(jìn)行評(píng)選,選出最終入選作品。
  (三)入選通知:入選結(jié)果以入選公示及入選通知書為準(zhǔn)。
  四、現(xiàn)場(chǎng)采風(fēng)
  為確保作品與在地文化和環(huán)境更加契合,征集結(jié)束后,主辦方會(huì)組織入選藝術(shù)家到活動(dòng)舉辦地現(xiàn)場(chǎng)進(jìn)行采風(fēng)考察,使藝術(shù)家更全面地了解當(dāng)?shù)匚幕妥髌仿涞丨h(huán)境,根據(jù)現(xiàn)場(chǎng)情況調(diào)整作品細(xì)節(jié)、作品規(guī)格和安裝位置。
  五、投稿細(xì)則
  (一)郵箱:
  hzyudeng2025 163.com
  (二)聯(lián)系人:
  (三)方案提交:
  1.個(gè)人信息:藝術(shù)家簡(jiǎn)歷(包含申請(qǐng)藝術(shù)家的姓名、出生年月、性別、國(guó)籍、藝術(shù)展覽及獲獎(jiǎng)履歷)、填寫完整的《報(bào)名登記表》(電子版文件)和《作者承諾書》(掃描件)。報(bào)送材料逾期不予受理。
  2.投稿方式:作品效果圖、模型照片、視頻形式均可。
  3.圖片要求:尺寸指定為A3(297x420mm),橫豎構(gòu)圖均可,圖片格式為JPG格式,分辨率為300dpi,顏色模式為RGB,單張圖片大小5MB左右,像素不低于300dpi。
  4.視頻形式:視頻以MP4格式提交,時(shí)長(zhǎng)5分鐘以內(nèi),標(biāo)清或高清不限,文件大小須≤100MB。
  5.作品說(shuō)明:每一件投稿作品需提交作品說(shuō)明、設(shè)計(jì)理念(100字之內(nèi))。
  六、創(chuàng)作要求
  (一)要求:圍繞活動(dòng)主題、自然環(huán)境、在地文化、文旅發(fā)展需求提供1-3件(套)創(chuàng)意效果圖。作品形式新穎獨(dú)特,富有互動(dòng)性、創(chuàng)新性、視覺感染力,具有原創(chuàng)性和唯一性。
  (二)材料:可選擇南方方便易得的竹子、木材等材料,也可采用傳統(tǒng)布料、絲綢、張拉膜或金屬材料。既能確保作品的呈現(xiàn)效果,又能滿足長(zhǎng)期在室外展示的需求。
  (三)風(fēng)格:創(chuàng)意方式和風(fēng)格不限,可以包含雕塑、裝置、光影、動(dòng)態(tài)、竹編等藝術(shù)等形式,重點(diǎn)在于作品與環(huán)境的融合度以及與觀眾的互動(dòng)性。
  (四)聲明:必須為本人原創(chuàng)作品(不接受以小組為單位的合作方案),AI軟件生成的圖片不予選用。如涉及著作權(quán)糾紛由應(yīng)征者自行承擔(dān)責(zé)任。
  (五)規(guī)格:三維中須有一維尺寸不低于3米,也可根據(jù)現(xiàn)場(chǎng)環(huán)境調(diào)整尺寸大小。
  (六)安全:適合戶外長(zhǎng)期存放,具有可實(shí)施性,并能避免公共場(chǎng)所安全隱患。
  七、作品數(shù)量
  入選作品:10件(組)放大落地實(shí)施。
  入圍作品:20件(組)方案圖片或小稿展出。
  八、創(chuàng)意報(bào)酬
  入選作品:4萬(wàn)元/件(稅前)。
  入圍作品:頒發(fā)榮譽(yù)證書。
  模型費(fèi)用:以上獎(jiǎng)金均含雕塑定稿小樣制作費(fèi),作品及小稿模型由主辦方永久收藏,并獲得主辦方頒發(fā)的作品收藏證書。
  一、征集時(shí)間:2025年9月1日—2025年9月20日
  二、作品公布:2025年9月25日前后
  三、制作安裝:2025年9月30日--2025年11月30日
  四、開幕式及研討會(huì):2025年12月10日--12日
  一、主辦單位:黃山市歙州農(nóng)文旅發(fā)展集團(tuán)、中國(guó)文化產(chǎn)業(yè)促進(jìn)會(huì)公共藝術(shù)專業(yè)委員會(huì)
  二、執(zhí)行單位:歙州魚燈文化產(chǎn)業(yè)發(fā)展有限公司、李元秋工作室
  三、藝術(shù)委員會(huì)(按年齡排序)
  陳克:廣州美術(shù)學(xué)院教授、雕塑與公共藝術(shù)學(xué)院院長(zhǎng),中國(guó)文化產(chǎn)業(yè)促進(jìn)會(huì)公共藝術(shù)專委會(huì)會(huì)長(zhǎng)。
  洪濤:魯迅美術(shù)學(xué)院教授、雕塑藝術(shù)學(xué)院院長(zhǎng),中國(guó)文化產(chǎn)業(yè)促進(jìn)會(huì)公共藝術(shù)專委會(huì)副會(huì)長(zhǎng)。
  李迅:天津美術(shù)學(xué)院教授、公共藝術(shù)系主任,中國(guó)文化產(chǎn)業(yè)促進(jìn)會(huì)公共藝術(shù)專委會(huì)副會(huì)長(zhǎng)。
  唐勇:四川美術(shù)學(xué)院教授、造型藝術(shù)學(xué)院院長(zhǎng),中國(guó)文化產(chǎn)業(yè)促進(jìn)會(huì)公共藝術(shù)專委會(huì)副會(huì)長(zhǎng)。
  陳文令:國(guó)際著名藝術(shù)家,中國(guó)文化產(chǎn)業(yè)促進(jìn)會(huì)公共藝術(shù)專委會(huì)副會(huì)長(zhǎng)。
  張松濤:湖北美術(shù)學(xué)院教授、雕塑與公共藝術(shù)學(xué)院學(xué)術(shù)委員會(huì)主任,中國(guó)文化產(chǎn)業(yè)促進(jìn)會(huì)公共藝術(shù)專委會(huì)副會(huì)長(zhǎng)。
  陳輝:清華大學(xué)美術(shù)學(xué)院教授、雕塑系主任,中國(guó)文化產(chǎn)業(yè)促進(jìn)會(huì)公共藝術(shù)專委會(huì)副會(huì)長(zhǎng)。
  余晨星:中國(guó)美術(shù)學(xué)院教授、雕塑與公共藝術(shù)學(xué)院副院長(zhǎng),中國(guó)文化產(chǎn)業(yè)促進(jìn)會(huì)公共藝術(shù)專委會(huì)副會(huì)長(zhǎng)。
  郅敏:中國(guó)藝術(shù)研究院雕塑院教授、常務(wù)副院長(zhǎng),中國(guó)文化產(chǎn)業(yè)促進(jìn)會(huì)公共藝術(shù)專委會(huì)副會(huì)長(zhǎng)。
  陳曉春:西安美術(shù)學(xué)院教授、雕塑系主任,中國(guó)文化產(chǎn)業(yè)促進(jìn)會(huì)公共藝術(shù)專委會(huì)副會(huì)長(zhǎng)。
  胡泉純:中央美術(shù)學(xué)院教授、雕塑系副主任、公共藝術(shù)工作室主任,中國(guó)文化產(chǎn)業(yè)促進(jìn)會(huì)公共藝術(shù)專委會(huì)副會(huì)長(zhǎng)。
  鄧柯:中國(guó)國(guó)家畫院雕塑所所長(zhǎng),中國(guó)文化產(chǎn)業(yè)促進(jìn)會(huì)公共藝術(shù)專委會(huì)副會(huì)長(zhǎng)。
  趙展:天津美術(shù)學(xué)院教授、雕塑系主任,中國(guó)文化產(chǎn)業(yè)促進(jìn)會(huì)公共藝術(shù)專委會(huì)副會(huì)長(zhǎng)。
  四、活動(dòng)總顧問
  梁振運(yùn):廣東振遠(yuǎn)文化集團(tuán)董事長(zhǎng)
  五、活動(dòng)總策劃
  李元秋:中國(guó)文化產(chǎn)業(yè)促進(jìn)會(huì)公共藝術(shù)專委會(huì)執(zhí)行會(huì)長(zhǎng)兼秘書長(zhǎng)
  六、策劃團(tuán)隊(duì)
  李茂赟:中國(guó)文化產(chǎn)業(yè)促進(jìn)會(huì)公共藝術(shù)專委會(huì)副秘書長(zhǎng)
  王浩杰:中國(guó)文化產(chǎn)業(yè)促進(jìn)會(huì)公共藝術(shù)專委會(huì)辦公室主任
  一、所有提交作品均不能含有色情、暴力等因素,遵守《廣告法》和國(guó)家有關(guān)法律、行政法規(guī)的規(guī)定,意識(shí)形態(tài)及政治觀點(diǎn)不能與中華人民共和國(guó)法律相抵觸。符合民族文化傳統(tǒng)、公共道德價(jià)值、行業(yè)規(guī)范等要求。
  二、投稿者應(yīng)保證其為所投送作品的作者,并對(duì)該作品的整體及局部均擁有獨(dú)立、完整、明確、無(wú)爭(zhēng)議的著作權(quán);且應(yīng)保證其所投送的作品不侵犯第三方的包括且不限于著作權(quán)、專利權(quán)、肖像權(quán)、商標(biāo)權(quán)、名譽(yù)權(quán)、隱私權(quán)等在內(nèi)的合法權(quán)益。如發(fā)生侵權(quán)行為,將由涉及侵權(quán)的投稿者自行承擔(dān)一切法律責(zé)任。
  三、本次活動(dòng)所有入選的作品,其成果文件著作權(quán)、版權(quán)歸主辦方所有。主辦方有權(quán)對(duì)入選的作品進(jìn)行且不限于宣傳、匯編、出版、發(fā)行、展覽、復(fù)制、放映以及公益等方面的使用,并享有對(duì)入選方作品進(jìn)行再設(shè)計(jì)、落地實(shí)施、生產(chǎn)等全部權(quán)益。
  四、特殊因素如因不可抗因素影響而延期舉行活動(dòng),將在官方公眾號(hào)通知具體時(shí)間。
  五、本次活動(dòng)最終解釋權(quán)歸主辦方所有。
  六、本公告內(nèi)容以中文為準(zhǔn)。
  2025歙縣(徽州)魚燈裝置藝術(shù)展
  組委會(huì)
  2025年9月
  掃描下方二維碼下載報(bào)名登記表、承諾書及歙縣魚燈介紹!
  Leaping over the Dragon Gate·Charming Shexian
  2025 Shexian(Huizhou)Fish Lantern Installation Art Exhibition
  Call for Submissions
  【Overview of Shexian】
  Shexian County is a national historical and cultural city and a national-level Huizhou cultural ecological protection area.Established as a county during the Qin Dynasty and later serving as the seat of Huizhou Prefecture during the Song Dynasty,it shared the same urban space as the prefecture for 1,400 years,making it the political,economic,and cultural center of ancient Huizhou.Shexian is the birthplace of Huizhou culture,as well as the primary origin of Huizhou merchants and Huizhou cuisine.It is also the main production area of Hui inksticks and She inkstones,key components of the Four Treasures of the Study.Shexian has been honored with titles such as"Capital of Hui Inksticks in China,""Hometown of She Inkstones in China,""Hometown of Huizhou Opera,""Hometown of Huizhou Culture,"and"Hometown of Chinese Memorial Archways."The ancient city of Huizhou within Shexian is renowned as one of China's four best-preserved ancient cities,alongside Lijiang in Yunnan,Pingyao in Shanxi,and Langzhong in Sichuan.It is often celebrated as the"Southeast Zou-Lu,Hometown of Huizhou Merchants,""Sea of Cultural Relics,""Hometown of Cheng Hao and Zhu Xi,"and"Land of Etiquette."Key tourist attractions in Shexian include the ancient city of Huizhou,the Xin'an River Landscape Gallery,the Tangyue Memorial Archways,Huizhou National Forest Park,Qingliangfeng National Nature Reserve,Xiong Village,and the ancient architectural complex of Xu Village.
  【Shexian Fish Lantern】
  The Shexian fish lantern,an important symbol of Huizhou culture,carries centuries of history and nostalgia.Its unique artistic charm and profound cultural significance make it a shining gem among intangible cultural heritage.In 2024,through integrated online and offline efforts,the Shexian fish lantern successfully transformed from a traditional folk custom into a cultural phenomenon and IP.With the support of new media platforms such as Douyin,activities like fish lantern parades and intangible heritage skill demonstrations reached hundreds of millions of viewers,becoming a top-tier spectacle during the Spring Festival.This case exemplifies the successful integration of traditional culture with modern communication methods,showcasing the sustainable vitality of intangible cultural heritage.It also demonstrates how traditional culture can rejuvenate itself through innovative dissemination.
  【Event Theme】
  I.Event Name:2025 Shexian(Huizhou)Fish Lantern Installation Art Exhibition
  II.Event Theme:Leaping over the Dragon Gate·Charming Shexian
  III.Theme Interpretation:A single fish lantern enlivens an entire city;an intangible cultural heritage lights up the dream of Huizhou.
  IV.Creative Themes:Wangmantian fish lanterns,Zhanqi fish lanterns,Yuliang fish lanterns,fish lantern emojis,and Fish Lantern Cultural and Creative Derivatives etc.
  V.Event Location:Huizhou Ancient City,Shexian County,Anhui Province,China
  【Event Concept】
  I.Intangible Heritage Creativity:Transform Shexian fish lanterns,along with Shexian’s intangible cultural heritage,historical,and cultural elements into interactive installation art to enhance visitors’deep understanding of Shexian’s cultural traditions.Using Shexian fish lanterns as creative material,traditional materials will be combined with contemporary artistic approaches to create a new context for experiencing traditional intangible cultural heritage.This will allow visitors to immerse themselves in the ancient city’s environment,intangible culture,and installation artworks.
  II.Artistic Experience:The interactivity and cultural-tourism appeal of installation art are irreplaceable by any other art form.Its functional experience and diverse creativity are key factors in attracting visitors.Each installation piece will feature all-day visual effects,utilizing light-transmitting materials and external lighting arrangements to create a light-and-shadow art show.Some works may also integrate local intangible heritage features to develop immersive sound-and-light theaters.
  III.Cultural Dissemination:Through the visual impact and interactivity of installation art,Shexian’s traditional culture and intangible heritage can not only be“remembered”but also“seen”and“experienced,”achieving a shift from static preservation to dynamic dissemination.By leveraging the event’s influence,a creative approach combining Shexian’s unique culture with contemporary art will be formed,conveying to the public the development philosophy of integrating intangible heritage preservation with contemporary innovation.
  【Submission Guidelines】
  I.Target Participants
  Open to installation art creators worldwide,including but not limited to sculptors,installation artists,lighting designers,and multimedia artists.
  II.Submission Methods
  (1)Global Open Call:Creative proposals will be collected through a global open call.The call aims to promote Shexian’s traditional culture,tourism resources,and local customs.
  (2)Invited Renowned Artists:To ensure the quality and creativity of the works,renowned artists will be invited to create installation artworks based on specific themes and requirements.
  III.Proposal Selection
  (1)Artist Registration:Artists willing to participate should submit their resumes,representative works,and conceptual sketches or renderings to the designated email address(see contact information).
  (2)Work Selection:A review panel consisting of art committee members and event organizers will evaluate all submitted proposals to select the final works.
  (3)Notification of Selection:The final selection results will be announced publicly,and formal notification letters will be issued to selected participants.
  IV.Field Visit
  To ensure the artworks better align with the local culture and environment,after the collection period ends,the organizing committee will arrange a field visit for selected artists to the event location.This will allow the artists to gain a comprehensive understanding of the local culture and the actual installation setting.Based on the on-site observations,they can refine the details of their artworks,adjust specifications,and determine the optimal installation locations.
  V.Submission Details
  (I)Email Address
  hzyudeng2025 163.com
  (II)Contact Person
  Wang Haojie
  Mobile:+86 150 6681 8472
  (III)Proposal Submission Requirements
  Personal Information:
  Artist’s resume(including name,date of birth,gender,nationality,art exhibition experience,and award history);
  Completed Registration Form(electronic file);
  Artist’s Commitment Letter(scanned copy).
  Late submissions will not be accepted.
  Submission Format:
  Creative proposals may be submitted as renderings,model photos,or videos.
  Image Requirements:
  Size:A3(297x420mm),either portrait or landscape orientation;
  Format:JPG;
  Resolution:300 dpi(pixels per inch),with color mode set to RGB;
  File Size:Approximately 5 MB per image,with resolution not lower than 300 dpi.
  Video Requirements:
  Format:MP4;
  Duration:Within 5 minutes(standard definition or high definition is acceptable);
  File Size:≤100 MB.
  Work Description:
  Each submitted work must be accompanied by a work description and design concept(within 100 words).
  VI.Creation Requirements
  (I)General Requirements
  Submit 1–3 sets of creative renderings that align with the event theme,local natural environment,indigenous culture,and cultural-tourism development needs.Works must feature novel and unique forms,with strong interactivity,innovation,and visual appeal,and must be original and exclusive.
  (II)Materials
  Artists may select locally accessible materials in southern China(e.g.,bamboo,wood)or adopt traditional fabrics,silk,tensioned membranes,or metal materials.The chosen materials must not only ensure the work’s presentation effect but also meet the requirements for long-term outdoor display.
  (III)Style
  There are no restrictions on creative methods or styles;works may include sculptures,installations,light art,kinetic art,bamboo weaving,and other art forms.The key focus is on the work’s integration with the environment and its interactivity with the audience.
  (IV)Statement
  Works must be original creations by the submitting artist(group collaboration proposals are not accepted).Images generated by AI software will not be considered.The applicant is solely responsible for resolving any copyright disputes.
  (V)Specifications
  At least one dimension of the 3D work must be no less than 3 meters;dimensions may be adjusted based on the on-site environment.
  (VI)Safety
  Works must be suitable for long-term outdoor placement,feasible for implementation,and free from potential safety hazards in public spaces.
  Ⅶ.Quantity of Works
  Selected Works:10 sets/pieces will be scaled up and implemented on-site.
  Shortlisted Works:20 sets/pieces(proposal images or small-scale drafts)will be exhibited.
  Ⅷ.Creative Remuneration
  Selected Works:RMB 40,000 per piece(before tax).
  Shortlisted Works:Certificate of Honor will be awarded.
  Model Fees:The above bonuses include the production cost of the finalized small-scale model of the sculpture.The works and small-scale draft models will be permanently collected by the organizer,and the artist will receive a Certificate of Collection issued by the organizer.
  【Event Timeline】
  I.Submission Period:1 September until 20 September 2025
  II.Announcement of Selected Works:Around 25 September 2025
  III.Production and Installation:30 September 2025–30 November 2025
  IV.Opening Ceremony and Symposium:10–12 December 2025
  【Organizational Structure】
  I.Hosted by:
  Huangshan Shezhou Agriculture,Culture and Tourism Group
  Public Art Committee of China Culture Industry Association
  II.Executed by:
  Shezhou Fish Lantern Culture Industry Development Co.,Ltd.
  Li Yuanqiu Studio
  III.Art Committee(listed in order of age):
  Chen Ke:Professor,Guangzhou Academy of Fine Arts;Dean,School of Sculpture and Public Art;President,Public Art Committee,China Culture Industry Association.
  Hong Tao:Professor,Lu Xun Academy of Fine Arts;Dean,School of Sculpture Art;Vice President,Public Art Committee,China Culture Industry Association.
  Li Xun:Professor,Tianjin Academy of Fine Arts;Director,Department of Public Art;Vice President,Public Art Committee,China Culture Industry Association.
  Tang Yong:Professor,Sichuan Academy of Fine Arts;Dean,School of Figurative Art;Vice President,Public Art Committee,China Culture Industry Association.
  Chen Wenling:Internationally renowned artist;Vice President,Public Art Committee,China Culture Industry Association.
  Zhang Songtao:Professor,Hubei Institute of Fine Arts;Director,Academic Committee,School of Sculpture and Public Art;Vice President,Public Art Committee,China Culture Industry Association.
  Chen Hui:Professor,Academy of Arts&Design,Tsinghua University;Director,Department of Sculpture;Vice President,Public Art Committee,China Culture Industry Association.
  Yu Chenxing:Professor,China Academy of Art;Vice Dean,School of Sculpture and Public Art;Vice President,Public Art Committee,China Culture Industry Association.
  Zhi Min:Professor,Chinese National Academy of Arts;Executive Vice Dean,Sculpture Academy;Vice President,Public Art Committee,China Culture Industry Association.
  Chen Xiaochun:Professor,Xi'an Academy of Fine Arts;Director,Department of Sculpture;Vice President,Public Art Committee,China Culture Industry Association.
  Hu Quanchun:Professor,Central Academy of Fine Arts;Deputy Director,Department of Sculpture;Director,Public Art Studio;Vice President,Public Art Committee,China Culture Industry Association.
  Deng Ke:Director,Sculpture Institute,China National Academy of Painting;Vice President,Public Art Committee,China Culture Industry Association.
  Zhao Zhan:Professor,Tianjin Academy of Fine Arts;Director,Department of Sculpture;Vice President,Public Art Committee,China Culture Industry Association.
  IV.Chief Advisor:
  Liang Zhenyun:Chairman,Guangdong Zhenyuan Culture Group
  V.Chief Curator:
  Li Yuanqiu:Executive President and Secretary-General,Public Art Committee,China Culture Industry Association
  VI.Curatorial Team:
  Li Maoyun:Deputy Secretary-General,Public Art Committee,China Culture Industry Association
  Wang Haojie:Office Director,Public Art Committee,China Culture Industry Association
  【Important Notes】
  I.All submitted works must not contain elements of pornography,violence,or any content that violates the Advertising Law of the People's Republic of China and other relevant national laws and administrative regulations.Ideological and political viewpoints must not conflict with the laws of the People's Republic of China.Submissions must align with ethnic cultural traditions,public moral values,and industry standards.
  II.Participants must guarantee that they are the authors of the submitted works and hold independent,complete,unambiguous,and undisputed copyrights to both the entirety and parts of the work.Participants must also ensure that their submissions do not infringe upon any third-party rights,including but not limited to copyrights,patent rights,portrait rights,trademark rights,reputation rights,and privacy rights.Any legal responsibilities arising from infringement shall be solely borne by the participating individual.
  III.All selected works shall have their outcome documents copyrighted by the organizing committee.The organizing committee reserves the right to use selected works for purposes including but not limited to promotion,compilation,publication,distribution,exhibition,replication,screening,and public welfare activities.The committee also holds full rights to redesign,implement,and produce the selected works.
  IV.In the event of force majeure causing postponement,the official public account will announce the updated schedule.
  V.The organizing committee retains final interpretation rights for this event.
  VI.The Chinese version of this announcement shall prevail.
  2025 Shexian(Huizhou)Fish Lantern Installation Art Exhibition
  Organizing Committee

  September 2025

https://mp.weixin.qq.com/s/GnN8z7DsypDGNk1eaAHWjg

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